I asked Spike if he had a recording of Alison singing.

Spike: 'I think the only recording with Alison (on backing vocals!!!?) is an extremely poor live recording. There's a live radio performance from Geneva with Phil and Drew. I think John Henderson has digital recordings but maybe be Debbie also has something."

Deborah had no live recordings but did remember a (primitive) studio recording with Alison Statton. It was the song "Rebirth" and this song appeared on the compilation cassette "Enter the Dragon" in 1983. A sampler with the Gist, Reptile Ranch (Spike Williams). The Good Gazelles (Duncan Smith with Andrew Moxham).

"There was a collaborative culture going on among the musicians in Cardiff in 1983".(Duncan Smith)

Deborah asked Duncan Smith for a digital version of "Rebirth". "Rebirth" was made by Deborah Pritchard (vocals & a hofner semi accoustic 1963 bass) , Alison Statton (backing vocals), Sian Edwards (drums), Spike played the viola.

Deborah:"I wrote that Alison and i sing on together on Enter the Dragon. A rare all Cardiff, compilation cassette album made in early 80 s. The song i was referring too seems somewhat out dated now... a feminist song about 'each man hold a baby' ... 'our lives are important' that sort of thing"

"If you've listen you will know that it was recorded in a living on quarter inch tape i seem to remember. Before 4 tracks. We had to bounce on 2 track or perhaps Alison and i and poss Sian from the Burpas an art school band sang together on 1 track."

I sent Alison the MP3 of Rebirth I got from Duncan and her response was:
Alison: "I’d completely forgotten about that song until I heard it again. There was so much going on in Cardiff at that time, with various collaborations between friends, in local bands. It was all quite playful and a natural extension of hanging out together, as well as sharing and exchanging creative and social interests and ideas."

Rebirth was recorded by Spike. I asked Spike if he remembered the recording:
Spike: "The Table Table 'Under a Table Table' recording was made with 2 Akai GX4000 machines to create a fake stereo, essentially double mono recording. The recordings of the feminist tapes were from Marian Street, Splott. It was a melting pot of all kinds of art at the time. Sian Edwards was not only a great drummer but a great artist. I bought one of her prints; I only wish I still had it.'

Spike also responded to this web page on his own Facebook page:
Spike: "That recording certainly exists, in fact I probably have it on my old PC. It was one of a myriad of indie recordings made with artists in Cardiff at the time. Long forgotten groups include Table Table, 2+1, Hymn #33, The Screechbags and even the earliest (I think) live band format of The Gist, though Stuart will probably correct me on that"